
Along with her new album, Beyonce has presented her fans to a new alter-ego named Sasha Fierce. The singer affirms that this new persona is the fun, more sexual and more aggressive side of her. This is however the “general public” version of the story. The esoteric meaning revealed by the symbols surrounding this new persona is much deeper: Sasha Fierce is a symbolic representation of an artist taken over by evil to obtain success.
“I have someone else that takes over when it’s time for me to work and when I’m on stage, this alter ego that I’ve created that kind of protects me and who I really am”.
-Beyonce
Good Beyonce with cross

Evil Sasha Fierce mimicking devil horns
The theme of the album “I am…Sasha Fierce” revolves around the duality between the godly Beyonce and the evil Sasha Fierce. This spiritual duality is fought in the songs, the pictures and the videos. Notice on the above images the Christian cross of the good and pure Beyonce versus Sasha Fierce who is mimicking devil horns with her hands. Songs like “Ave Maria” and “Halo” on her album contain obvious spiritual connotations and can be interpreted as either religious songs or odes to her satanic possessor. The persona of Sasha Fierce – who is presented as a separate entity- always wears heavy makeup on her eyes, if not sunglasses which represent her deceptive nature.
Before we get into an in depth analysis, let’s look at the main picture displayed at beyonce.com, which sums ups perfectly the purpose of this article.

Baphomet’s vehicule
Sasha Fierce is wearing a metal plate featuring prominently the face of Baphomet, who is also featured on the sigil of the Church of Satan:

Baphomet’s head is the only part of the picture that is in color, which shows the importance of this symbol. Another head of Baphomet sits right on top of the first making things even more significant. Sasha’s “dress” is adorned with stylish rear-view mirrors and motorcycle handles, which makes Sasha Fierce the vehicle of Baphomet. This exact outfit was used for a George Michael video…someone, somewhere thought it would be a perfect fit for Sasha Fierce. In her interviews, Beyonce describes her performances as Sasha Fierce like an experience coming right out of The Exorcist.
“When I’m onstage I’m aggressive and strong and not afraid of my sexuality. The tone of my voice gets different, and I’m fearless. I’m just a different person.”
Another way to put this is that she has allowed herself to become possessed…
The Birth of Sasha FierceSasha Fierce was born when I did ‘Crazy in Love.’ People, when they meet me, expect that all the time, but that person is strictly for the stage.”
-Beyonce, People Magazine, November 18th, 2008Why did Beyonce say that? How can a character be born during a song like “Crazy in Love”, which doesn’t have anything to do with Sasha Fierce? The answer lies in the video (which I can't embed).
The video tells the story of the birth of Sasha Fierce by depicting the steps towards Beyonce’s transformation. Through symbolic scenes, we first see Beyonce walking towards a speeding car (wih Jay-z in the backseat). The driver is the entity that already took over Jay-Z. Beyonce loosens up her hair to prepare herself and gets on a stage to begin initiation, symbolized by sexual dance moves. She then reaps the rewards of the selling of her soul with fame and fortune. Next, she is emulated by young girls who copy her dancing style. In the final scene, the good Beyonce gets literally blown up while sitting in the backseat of a car by Jay-Z – who calls himself “Young” in the song. As you know, Jay-Z isn’t young, but, in this song, he is considered “Young” after his recent rebirth on the dark side. After the explosion, Sasha Fierce magically appears next to Jay-Z, looking sexy yet devilish. In his verse, Jay-Z refers to Beyonce as “Young B” because she was just reborn.
1- Beyonce goes up on a symbolic stage and mimicks ritual sex for initiation

2- The flashes represent celebrity and success

3- Surrounded by girls who emulate her

4- Stuck in the backseat of a car

5- Explosion of the car, representing the death of the old Beyonce (who was still stuck in the backseat)

6- Sasha Fierce appears out of nowhere

The video of “Diva” uses the exact same allegory of the car exploding.
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“Diva” starts with a shot of dummies in the trunk of a car who represent the ”dummies” that idolized and imitated Sasha Fierce. Sasha Fierce is walking away, wearing glasses who are literally shades hiding her eyes, representing the fact that we are not dealing with Beyonce but a deceiver. After going into a warehouse to dance frenetically, act bitchy and sing about vain subjects like materialism, she comes out and lights the car on fire. The same way Jay-Z blew up the car in “Crazy in Love” (which killed the old Beyonce and gave birth to Sasha Fierce), she blows up the car filled with the mindless dummies who were seduced by her deceitful ways.
Why is Sasha Fierce Often Dressed Like a Robot?Beyonce’s performance at the 2007 BET Awards carried heavy symbolism. Dressed in a robot suit, she wakes up after being electrically charged . Here’s the performance (you just need to watch the first couple of minutes).
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This performance is inspired by a scene of the 1927 movie “Metropolis” where a female robot becomes alive.
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The recreation of this scene from Metropolis is quite significant. The movie depicts a society divided between two rigid social classes, the ”thinkers” and the “workers”, who can’t communicate with each other. Maria, a young female worker who has some influence among her exploited colleagues gets kidnapped by the ruling class. She is taken to the laboratory of a mad scientist who created a robot that could take her physical likeness. The scene above depicts the transformation of the robot into Maria, who will then be controlled by the scientist to incite revolt among the workers. The inverted pentagram behind the robot symbolises the initiation of Maria into the evil side. She is designed to bring out the worst in men, causing violence, lust, passion and corruption among them. The robot is a devilish and sexually provocative version of Maria and ends up performing in a decadent nightclub of the metropolis. Her mesmerizing dance caused such excitement that it caused a widespread fight among the men present.
Satanic robot with inverted pentagram in the back


Good Beyonce vs disturbing looking Sasha Fierce
Sweet Dreams“Sweet Dreams” is in perfect continuation with the dark themes surround Beyonce’s alter-ego: dark occultism, mind control, spirit possession, etc. The lyrics of the song and the imagery of the video have a supernatural and ethereal quality, where Beyonce professes her love to someone or something she calls a “sweet dream or a beautiful nightmare”. Here’s the video.
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Song Analysis“Every night I rush to my bed
With hopes that maybe I’ll get a chance to see you
When I close my eyes I’m going out of my head
Lost in a fairytale, can you hold my hands and be my guide?”
Beyonce is looking forward to “go out of her head” and get “lost in a fairytale“. She is asking her controller to “hold her hand and be her guide“. The state of a mind controlled slave is often compared to a fairytale (they are said to be shown movies such as The Wizard of Oz). The controller will be her guide in the treatments.
“Clouds filled with stars cover the skies
And I hope it rains, you’re the perfect lullaby
What kinda dream is this?”
There is a real sense of a hazy state of mind. Beyonce says to her controller, who is causing in her this mental state, “you’re the perfect lullaby”.
“You could be a sweet dream or a beautiful nightmare
Either way I don’t wanna wake up from you
(Turn the lights on)
Sweet dream or a beautiful nightmare
Somebody pinch me, your love’s too good to be true
(Turn the lights on)”
So this state of mind control can be a sweet dream, which is a blissful state where the boundaries between reality and fiction are blurred. It can also be a nightmare due to the traumatizing treatments, the mental anguish and the fact that being a Monarch slave is probably the worst thing that can happen to someone. Sweet dream/Beautiful Nightmare also describes the dichotomy between Beyonce and her dark alter-ego Sasha Fierce. As Patton stated about mind control:
“A division of light-side (good) and dark-side (bad) alters are interwoven in the mind and rotate on an axis.”
-Ibid.
“My guilty pleasure, I ain’t going no where
Baby long as you’re here I’ll be floating on air”
“My guilty pleasure” refers to the fact that she knows that this state of synthetically bliss is false and ultimately harmful to her. But as long as her controller is there, she’ll be “floating on air”. This is especially significant when one knows that subjects to Monarch programming get a feeling of light-headeness, as if they’re floating.
“I mention you when I say my prayers
I wrap you around all of my thoughts
Boy you’re my temporary high”
There is here a mix of the “scientific” mind programming with the occult ritualistic aspect of it. The “controller” is often interchanged with Lucifer and “mind control” can be interchanged with spirit possession. As Ron Patton stated, ancient occult knowledge, rituals and magick are incorporated in the programming of the subject. The person sees the controller as a god, or Lucifer, who possesses his/her soul and thoughts. Beyonce says she mentions the name of her controller (or Lucifer) when she says her prayers. She wraps her controller around all of her thoughts which is a nice way of saying that the possessor is in control of her thoughts.
“Tattoo your name across my heart so it will remain
Not even death can make us part
What kind of dream is this?”
She is basically saying that she gave her soul to her controller aka Lucifer. “Not even death can make us part“, conveys an obvious spiritual meaning. The only thing that remains of us after death is our soul. She says that even after death, her soul will still be owned by her possessor.
Like all works of art, the lyrics could be interpreted in numerous ways. The video however confirms the mind control theme of the song by visually representing the steps, the symbols and even many “triggers” associated with Monarch programming.
To ConcludeI'm pretty sure I'll get messages from confused people, wondering why I "see evil" everywhere or something. Those people do not understand a couple of fundamental truths, who aren't based on wild beliefs but on facts: Record companies like Columbia Records own the image of pop stars like Beyonce or Rihanna. These conglomerates are owned by a handful of powerful people who, more often than not, are initiated into occult secret societies. They believe in the powers of the mind, channeling spirits, Black and White Magick, demon possession, sacred rituals and entities populating the ethereal spheres. In other words, if you don't believe in the spiritual realm, THEY DO. So the analysis here makes perfect sense to them and they know that the average Joe doesn't think in those terms...mostly because he was educated since childhood to be blind to those things.
As in anything in life, esoteric teachings range from the sublimely good to the infernal evil. They can elevate your consciousness to a godly level or they make you a slave of malignant spirits. That being said, there appears to be a conscious effort to subject the population to negative imagery through the different outlets of mass media. Plato, the Greek philosopher believed that music had such far reaching effects on the hearts of men that popular songs should be carefully chosen:
"Music which ennobled the mind was of a far higher kind than that which merely appealed
to the senses, and he strongly insisted that it was the paramount duty of the Legislature to suppress all music of an effeminate and
lascivious character, and to encourage only that which was pure and dignified"
-Manly P. Hall, Secret Teachings of All Ages
If Plato, one of the brightest minds of the Western world believed that music played a vital part in the creation of a perfect nation, can you imagine the effects of negative messages on our modern society? Even if the general population only gets the first level of interpretation of songs or videos, it is believed that the hidden meanings and symbols still affect the collective subconscious. The result is people leading vain existences, trying to fill the gaping void of their lives by continually satisfying their lowest impulses. In other words, lost souls that can be easily controlled and manipulated.