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Title: Call Back Let It Ring Some More


Armchair Elvis - July 16, 2006 11:22 AM (GMT)
This was written to a prompt posted on the House_Month community on Livejournal, and originally posted there a little while ago.

The prompt was: Write a story that includes both sides of a telephone conversation.
I sat down and wrote this basically all in one go, although I did go overtime on the time limit I gave myself- that's alright, it turned out OK for a nice quick fic, I think.

Feedback would be appreciated, as always.
This will probably have some changes as I post it here, because I like to fiddle with stuff.
The only thing that annoys me more than my own bad grammar is discovering said bad grammar after I've posted something.

Also posted on the Housefic community on LJ.

Cheers, and thank you.

AE.






CALL BACK, LET IT RING SOME MORE




This here is the place I will be staying.
There isn't a number. You can call the pay phone.
Let it ring a long, long, long, long time.
If I don't pick up, hang up, call back, let it ring some more.
If I don't pick up, pick up...

The sidewinder sleeps, sleeps, sleeps in a coil

Call me when you try to wake her up.
Call me when you try to wake her.

...There are scratches all around the coin slot
Like a heartbeat, baby trying to wake up,
But this machine can only swallow money.
You can't lay a patch by computer design.
It's just a lot of stupid, stupid signs.

Tell her,
Tell her she can kiss my ass, then laugh and say that you were only kidding.
That way she'll know that it's really, really, really, really me.

Call me when you try to wake her up. Call me when you try to wake her.



- R.E.M., The Sidewinder Sleeps Tonite





On a slow, chafing Saturday evening, the night slipping like molasses over the hot, sticky, tedious day, she receives a telephone call.
It’s one of those frustrating days for both of them, and they’re sitting in front of some late-night movie on television, waiting for the credits to roll, each waiting for the other to go to bed, waiting for something to happen.


The phone jangles discordantly, and the hot, nervous feeling drops suddenly from the bottom of her abdomen. Even John looks up, drums his fingers stiffly on the armrest of the chair, a concession to the quiet calm and economy that usually consumes his movements.


She picks up the receiver, and she will briefly wonder later why exactly it was that she wasn’t puzzled that they were getting a phone-call so late, why she wasn’t prodding John at that moment to pad out of bed in his bare feet and answer the phone, grumbling, blinking.


The house is still warm, the heat hanging, but as she picks up the phone, says hello calmly, perfectly calmly, and hears the soft, apologetic voice on the other end, something harsh and cold constricts her abdomen, completely replacing the almost-indigestion irritability of the whole day with a cold lump of fear.

“Mrs- uh, House? It’s James Wilson here-“

He sounds panicked. Worried. She suddenly thinks of his hands, the same practical hands that have graciously dug at her potatoes, politely handled her silver service over his pleasant, friendly, smiling face, and wonders if the fingernails have been bitten to the quick. She almost smiles, thinking that James’ mother obviously never struggled with painting bitter No-Bite on his nails.

She knows it’s about Greg, from the hesitant cast to his voice, because she's missed a call, just because, and all of a sudden there’s a ringing in her ears. She looks at John over the living room. He sits up straight and looks at her, mouthing what, looking at her, concerned, listening to what she says, knowing not to say anything until she's finished. She looks away because she wants to listen, staring absently at the calendar , and later she will wonder about what she has to do this month and know the date of John's appointment at the doctor and her own rostered day for the flowers at church off the top of her head. She wrinkles her brow. She has to hear this. That's all she thinks in that second. I need to listen.

She hears herself say: It’s OK James, I know it’s you, and she wonders at the motherly tone in her voice.


James stammers and trips over the words, and she realizes that he sounds tired, shocked.

“It’s, It’s H- Greg, he’s in hospital here in Princeton, there’s uh, a problem with his leg, but it could be worse than that, he’s in a lot of pain. If it was just a sprain we would have seen some improvement by now-“

She asks where he is, what he’s doing, where Stacy is. James says that he’s uh-sleeping, that Stacy is with him, that he’s just down the hall. In the last couple of hours it has become clear to – them that this could be worse than they thought.
He's-in-a-lotta-pain-Mrs-House.


She hardly picks up half of what he says, and she thinks that perhaps it’s because he’s babbling. Doctor’s must make calls like this all the time, she thinks, it must be because it's Greg.
They’ve got him on something and it’s not working. The pain is very bad and they’ve admitted him. They have some concerns about something to do with his heartbeat- he’s in a lot of pain. It could be bad. He’s in a lot of pain.

It’s all very confusing.


James pauses for a second, perhaps to not-say something, and she asks him if they should come down.

“Look, Mrs House-“

Blythe.

“Blythe. He’s in a lot of pain. It could just be a bad sprain, but the pain would have diminished by now. We’re at a bit of a loss, but a very good doctor has taken over his case- It’s very touch-and-go.”

He waffles on.

She says: James. Do we need to come down?

“I wouldn’t- make any plans for anything else…”

He asks her if she needs anything. No.


He says goodbye, and so does she, but the click and the sudden tone are shocking.

Will he look up in a couple of days and say that they needn’t have bothered? Will he be annoyed because they fussed over nothing, because they bothered to pay for a ticket? Will it get worse?

The cold, tense, sick feeling is still in her stomach, and she turns to John, and ten minutes later they’re packing bags. Just in case.
The next morning he calls up his partner and cancels his golf game. Just in case.







Wilson is expecting to wake them up, but the phone is answered after two rings.
He has an odd, nervous, edgy feeling, worse than that due to any of the other phone calls that he has to make. Far more personal. This is like the nightmare version of calling someone up to tell them I need you to come into the office, we have some results to discuss....
Mrs House answers the phone quickly, and he feels a shock of remorse and dismay stand the hairs up along his spine. He trips over the words and immediately thinks he’s doing it wrong, wishes he could hang up and forget it, start again, but he can’t.


He tells her that House is sick, that it’s something to do with his leg. He doesn’t give much in the way of details, knowing that she probably won’t understand most of it and what she will she’ll forget in the rush, in the sudden panic. He’s as clear as he can be, but he thinks afterwards that he has repeated himself a bit. He says that House is in pain, and they don’t know what it is. He says that House is in pain again, but just that, without something to compare it to or a rating.

He doesn’t mention that he is just down the hall screaming his head off. Nor does he mention that he is by no means coherent enough to hold together a telephone conversation.


“James”, She says. “Do we need to come down?”


Wilson suddenly realises that this is far, far worse than he realized. He says goodbye to Mrs House and immediately worries that he has forgotten to say something, that he has said the wrong thing. He wonders how his voice sounded, thinking that Blythe might not have noticed the shake that it had, the way he constantly thought that he might cough or not be able to get the words out.
She sounded like she needed to sit down but didn’t want to leave the phone to get a chair.


Wilson puts down the payphone and hurries back around the corner. After two or three steps he hears a dull clunk and turns back to re-hang the phone, his fingers hurting. He can feel sweat cooling against his undershirt. He’s been wearing these clothes for too long.




He’s screaming. Really screaming. Stacy looks at him, her eyes wide, her work-clothes still fresh from the office, her case-files still scattered innocuously on the little table in the room, and with a confused, this-isn’t-meant-to-happen look on her face. Jeez, Wilson thinks. This is happening way too fast.
House’s face is red and his eyes roll insanely in his head. He arches his back and screams I. NEED. AN. MRI NOW!!! His voice is high-pitched, and when he makes a little juh grunting noise sweat and tears and water drip down his face. Wilson’s neck feels like it’s gonna seize up real soon. He needs to drink something. He crosses to the cupboard in House’s room, grabs a plastic cup, drinks, and the headache he didn’t realize he has tones down a little bit. He offers a cup to House, but he shakes his head and groans. Wilson sits by the bed but he doesn’t know what to say.

House is on a spiral. His breathing slows but then he grunts again, moans, says Stacy, Wilson, please. He feels Stacy's hand tighten on his shoulder. The room is full of their worry and House's uneven breathing, the occasional tap as his hands bang on the side of the bed.


James leaves and runs down the corridor to find Cuddy darting towards his room. He says, You haven’t done the MRI yet? In a bizarrely calm tone of voice, like he’s just saying The guests are already here and you haven’t decanted the wine yet, have you darling?


House is semi-delirious. He’s curled up and shivering and moaning, past the angry phase. Wilson thinks that it must be hell.
He’s in so much pain that he can barely speak, and Wilson has to prompt him twice to get him to open his eyes. This far surpasses the most pain that Wilson has ever seen House suffer. House is in so much pain it hurts to look at him.
He says, House, We’re sedating you, and House just barely unclenches his jaw to say something like it’s… before he starts to get that wasted look to his eyes. Now he looks like a confused kid, but the pain is still very present on his face and in his eyes.


Wilson takes off his tie and goes and sits outside the room, but he doesn’t know what to do there either. Stacy comes out. They sit. He goes in. He comes out. Nurses come and go. He cries out occasionally, and they flinch.
He drinks a lot of water from the cooler down the hall and urinates twice. Once he goes outside, and the heat is so oppressive everything goes twice as slow as he feels the sweat still roll down his back.
Cuddy comes and looks in the window. She’s still here, working late, but she’s changed her clothes and Wilson can’t look at her somehow. He blushes, then there’s nothing he can do, so he goes and changes his clothes and bends down under the shower on cold. The time goes so slow.







Late the next afternoon James Wilson calls again.
They book a ticket on a domestic flight the next afternoon.
Six hours later later he calls a third time, and John jumps on the phone with someone he knows and pays through the nose to get them on a Southwest flight early the next morning, at an airport a three-hour drive away.
James says that they should hurry. He tells them that he’ll cover the flight if they have to pay extra because of the short notice. He tells them that he will drive to the airport and pick them up if they want. They hurry.






Wilson doesn’t keep his word.
He thinks that House will understand that he called and freaked out his parents when everyone finally realised that his leg was dying.
He thinks that House will understand the haste when he was the one to call his best friend’s parents and tell them that their son’s heart stopped because of the poison rushing through his system.

He makes the call, and leans against the wall beside the phone.


.- .

sayuri - July 17, 2006 08:29 PM (GMT)
neargh why are you so good at writing? i may have to go hit my head on a wall now :blink:

okay that was random... but i love the way you write, especially the way the dialogue isn't written out in the... what's the word, it's not 'normal' but that kind of word.... way. And the first paragraph.

OK, that whole message made no sense but you get my point, I really liked it ^_^

Armchair Elvis - July 17, 2006 11:02 PM (GMT)
Thanks for the ego-building/complementing, Sayuri. I liked the fic you posted a little while ago, too. Freaky dream.

I don't always use inverted commas ('' '') or, as my teacher called them in year three - "sixty-six and ninety-nine". I used to never use them, because I sometimes found them to be sort of... cumbersome. I use them sometimes now, though. One of the things I decided to try out in this story, because of the 'both sides' thing, was to treat the dialogue differently depending on who was saying it (the person the POV is from : the person talking on the 'other end'), and then 'invert' the situation for the other POV. Anyway, I really should stop going on about writing, especially my own.

QUOTE
written out in the... what's the word, it's not 'normal' but that kind of word.... way.
Uh... Conventional? Common? Usual? Usual? Average? Regular?
Throwing all of these words in without a negative connotation.

Anyway, a lot of people don't use quotation marks, or use another way of indicating that the speech is something that someone has said exactly, rather than the speech being paraphrased. (Italics, a dash, etc).

Cheers, and thanks.


sayuri - July 19, 2006 06:28 AM (GMT)
my pleasure :D

When I learnt to write all punctuation was pretty cumbersome... but the treating dialogue differently thing works very well.

Yeah, any of those words will do it ^_^

Question - i am rubbish at giving my writing titles. I'm trying to write this fic where House is not at PPTH, and the ducklings start to act a bit Houseish (dun dun dun)... Foreman takes up giving orders and juggling, Chase happens to let slip a patient's secret to her parents, and Cameron is, err, grumpy. :S do you have any ideas for a title?

Armchair Elvis - July 19, 2006 08:17 AM (GMT)
Cool. A question.

Hmmm... titles.

Another language ( oh so daggy, I know, and all the fics I've named in Latin I hate, but still). Song titles. Song lyrics. The dictionary. Cliches or sayings. A play on House? Just a word.

It's hard to name a story if you haven't written it, and even harder if you haven't read it, but I'd just say from my own experience if the above doesn't help and you have absolutely no idea, use a random word, hopefull distantly associated with something in the story. Or Untitled, or A Study In... Something like that.

Cheers, hope that helps.

sayuri - July 19, 2006 02:55 PM (GMT)
questions, exciting :P

i'll bear all that in mind, i think i'll look back on it when it's (finally) finished and take a quote out or something like that... but i have a feeling that it'll be the last thing to happen ^_^




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